French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography. Related Paintings of Henri Fantin-Latour :. | Homage to Delacroix | White and Pink Roses (nn03) | Still Life 2 | Glazen schaal met witte en blauwe druiven, perziken en pruimen. | A Studio in the Batignlles | Related Artists:
Viviano Codazzi1604-1670
Italian
Viviano Codazzi Location
1670). Italian painter. He arrived in Naples about 1634, having almost certainly trained in Rome. He was a specialist in the realistic architectural VEDUTA, and his interest in this theme may have been stimulated in Rome by the quadratura frescoes of Agostino Tassi and by the urban views of Claude Lorrain and Herman van Swan.
Sebastiaen Vrancx (22 January 1573 - 19 May 1647) was a Flemish Baroque painter and etcher of the Antwerp school.
He was an apprentice in the workshop of Adam van Noort, who also trained many illustrious painters such as Peter Paul Rubens, Jacob Jordaens and Hendrik van Balen. He also visited the workshop of the Antwerp painter Paul Bril in Rome around 1600.
He was esteemed as one of the main painters of battle scenes, and works by Vranckx were in the collection of Peter Paul Rubens. As a collaborator he worked at times with Jan Brueghel the Elder. and together with Rubens, Frans Francken the Younger, van Balen, Frans Snyders and Joos de Momper the Younger on the Allegory of the Senses, two works commissioned on the occasion of the archduke Albert of Austria's visit to Antwerp. His best-known student is Pieter Snayers.
Most of his pictures represent biblical scenes or scenes of war, such as the sack of towns, cavalry combats, genre paintings and allegorical subjects. Though occasionally vigorous in drawing, his paintings are dull and heavy in tone.
He was at the same time a writer of poetry, comedies and tragicomedies for the chamber of rhetoric De Violieren. He was served as dean of the Antwerp painters' Guild of St. Luke, and was a district head and captain of the militia.
His works can be found in the Royal Museum of Fine Arts in Antwerp, Groeninge Museum in Bruges (both in Belgium) and the Noordbrabants museum in 's-Hertogenbosch and the Rijksmuseum in Amsterdam (the Netherlands). He is also represented with several drawings or paintings at the Hermitage in Saint Petersburg, the Harvard University Art Museums, the Louvre, Paris and several other museums.
Gerard van Spaendonck (22 March 1746 - 11 May 1822) was a Dutch painter.
Gerard was born in Tilburg, an older brother of Cornelis van Spaendonck (1756-1840), who was also a renowned artist. In the 1760s he studied with decorative painter Willem Jacob Herreyns (also known as Guillaume-Jacques Herreyns) (1743-1827) in Antwerp. In 1769 he moved to Paris, and in 1774 was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Françoise Basseporte (1701-1780) as professor of floral painting at the Jardin des Plantes, and shortly afterwards was elected a member of the Academie des beaux-arts.
Gerard van Spaendonck painted with both oil and watercolors. He contributed over fifty works to the Velins du Roi, which was a famous collection of botanical watercolors possessed by French royalty. From 1799 to 1801 he published twenty-four plates of his Fleurs Dessinees d'apres Nature (Flowers Drawn from Life), which were high-quality engravings for students of floral painting. Today, Fleurs Dessinees d'apres Nature is a highly treasured book on floral art.
In 1788 Spaendonck was appointed adviser to the Academie, and in 1795 he became a founding member of the Institut de France. In 1804 he received the Legion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte. He died in Paris.